By Robert Adams
Fourteen fabulous new stories from the writer of A Love of Reading. Passionate, idea frightening, and witty.
A Love of interpreting, the second one Collection includes 14 new stories of contemporary classics from a discriminating, hugely exciting, and prodigiously well-read guide.
In a stimulating choice, starting from Margaret Atwood’s Alias Grace to Zadie Smith’s White Teeth, and from Charles Frazier’s Cold Mountain to Sheri Holman’s The gown Lodger, well known literary critic Robert Adams skilfully interweaves a nimble and enlightening dialogue of plot, topic, and characterization with attention-grabbing ancient, biographical, and literary context. Adams is time and again attracted to the spectacle of less-than-perfect people making their method in a antagonistic global, and accordingly his experiences are a highly pleasant mixture of wealthy pathos and ample humour. within the phrases of the Calgary Herald, they're “a bibliophile’s dream.”
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Additional info for A Love of Reading, The Second Collection: More Reviews of Contemporary Fiction
Evans, English and Comparative Literature (emeritus), University of New Mexico Raphael Falco, English, University of Maryland, Baltimore County Walter Farber, Near Eastern Languages and Civilizations, University of Chicago Ibrahim Fathy, independent scholar Harris Feinsod, English, Northwestern University Frances Ferguson, English, Johns Hopkins University Margaret W. Ferguson, English, University of California, Davis Patrick ffrench, French, King’s College London Annie Finch, Creative Writing, University of Southern Maine Jordan Finkin, Oriental Studies (Hebrew), University of Oxford †Harold Fisch, English, Bar-Ilan University †Solomon Fishman, English, University of California, Davis †Wolfgang Bernhard Fleischman, Comparative Literature, Montclair State College †Robert Harter Fogle, English, University of North Carolina, Chapel Hill †Stephen F.
In the volatile case of pronouns. Another, more pervasive inﬂuence arises from the complex interaction between the abstract, narrowly constrained pattern of meter and the concrete, highly contingent *rhythm of the spoken words. This fundamental distinction—meter and rhythm are related similarly to “the human face” and “a human’s face”—crucially conditions how we perceive accent; it accounts for some diﬃculties that an unpracticed reader of metrical verse, though a native of Eng. speech, may have in locating the accents in a line.
Tracy, Afro-American Studies, University of Massachusetts, Amherst Wesley Trimpi, English (emeritus), Stanford University Reuven Tsur, Hebrew Literature, Tel Aviv University Gary Tubb, South Asian Languages and Civilizations, University of Chicago xxxvi CONTRIBUTORS Herbert F. Tucker, English, University of Virginia Leslie Ullman, Creative Writing (emerita), University of Texas, El Paso Michael Ursell, Literature, University of California, Santa Cruz Quang Phu Van, Vietnamese, Yale University W.
A Love of Reading, The Second Collection: More Reviews of Contemporary Fiction by Robert Adams