By Peter Beidler, Gay Barton
This article goals to pilot the reader in the course of the maze of Louise Erdrich's interlocking worlds. half 1 presents a skeletal define of every family members incorporated within the novels; and half 2, a dictionary of characters, kinds the guts of the booklet.
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Extra resources for A Reader's Guide to the Novels of Louise Erdrich
Roy family in The Antelope Wife. 40 A Reader’s Guide to the Novels of Louise Erdrich Chart 19. Shawano family in The Antelope Wife. and by allusions to either history or technology, which suggest general time periods. When we read, for example, about the electronic bar-code scanner at a grocery store or the screen saver on a computer monitor, we assume that the surrounding events take place during the 1990s. Erdrich also seems to drop some clues about the undated cavalry raid that begins the action.
TRACKS Tracks takes us back to a time before the events of either The Beet Queen or Love Medicine. It reveals such background material as the origins of Marie Lazarre and Lulu Nanapush, two of the dominant women in Love Medicine; the early activities of Nector as he learns the politics of dealing with the dominant white society; Sister Leopolda’s early life under a different name; and the loss of a large portion of reservation land to the lumber companies. The alternating narrators of the story are Nanapush, a survivor of the consumption epidemic of 1912, and Pauline Puyat, a mixed white-Indian girl ashamed of her Indian blood.
We do list the humanlike spiritual or mythical personages who in the minds of some characters act as people in their lives—such as Misshepeshu, Christ, Satan, and two Statue[s] of the Virgin. With only a few exceptions, the various references to each character are gathered into one entry, with alternate names for the same person cross-referenced. Exceptions include characters (such as Andy, Father of Fargo baby, and Sister Leopolda) whose alternate names and identities Erdrich does not at first reveal.
A Reader's Guide to the Novels of Louise Erdrich by Peter Beidler, Gay Barton