Specific Demographics

Read e-book online Accessible Citizenships. Disability, Nation, and the PDF

By Julie Avril Minich

Accessible Citizenships examines Chicana/o cultural representations that conceptualize political neighborhood via photographs of incapacity. operating opposed to the belief that incapacity is a metaphor for social decay or political obstacle, Julie Avril Minich analyzes literature, movie, and visible paintings post-1980 within which representations of non-normative our bodies paintings to extend our figuring out of what it ability to belong to a political community.
Minich indicates how queer writers like Arturo Islas and Cherríe Moraga have reconceptualized Chicano nationalism via incapacity pictures. She extra addresses how the U.S.-Mexico border and disabled our bodies limit freedom and circulation. eventually, she confronts the altering position of the geographical region within the face of neoliberalism as depicted in novels via Ana Castillo and Cecile Pineda. 
Accessible Citizenships illustrates how those works gesture in the direction of much less exclusionary types of citizenship and nationalism. Minich boldly argues that the corporeal photos used to depict nationwide belonging have very important effects for a way the rights and merits of citizenship are understood and distributed.

A quantity within the American Literatures Initiative

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Extra info for Accessible Citizenships. Disability, Nation, and the Cultural Politics of Greater Mexico

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Reading Islas as a representation of Moraga’s Queer Aztlán might seem counterintuitive to readers familiar with the scholarly bibliography on his work and, more generally, on gay enabling aztlán / 33 Chicano literary history. Although feminist and lesbian responses to Chicano nationalism emerged as Islas was writing both novels and began receiving critical attention around the same time as the publication of The Rain God, critics have often assumed that gay Chicano critiques did not emerge until much later.

Enabling aztlán / 37 What do you see? Describe it. Describe it as best you can in Spanish or English or both. (“Afterword” 24) Here his emphasis on personal expression directly contradicts the injunction in El Plan for writers and artists to create “literature and art that is appealing to our people and relates to our revolutionary culture” (3). Yet despite his refusal to envision the writer as a vehicle for a singular, essentialized communal voice, and despite his brutal criticisms of Chicano nationalist writers, these essays reveal Islas to be struggling with the role of literature in the formation of community.

1 They also record the psychic anguish of Miguel Chico and those he calls the “sinners” of his family, who defy family and community norms even as they also internalize dominant ideologies of race, sexuality, gender, and ability in harmful and destructive ways. 2 Nonetheless, this chapter is not exclusively about pain; rather, it is also about the healing, thinking, and growing that Islas describes as its outcome in the opening epigraph. The agony that features so prominently in his novels serves the process of unification and community formation, bringing together Mexico and the United States, Spanish and English, Spaniard and Indian, straight and queer, saint and sinner, soul and body, gut and colostomy bag.

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Accessible Citizenships. Disability, Nation, and the Cultural Politics of Greater Mexico by Julie Avril Minich

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