By James Land Jones
The author's vital objective is to teach that the poetry of Keats and Yeats is expert via a collection of assumptions, a style of apprehension, which marks it as a undeniable form of poetry: Romantic poetry characterised particularly by way of the weather of mythic pondering analyzed by means of Cassirer and Eliade.
Introduction: The reason for Myth
Chapter One: Soul Making
I "Curious Conscience"
II "My robust identification, My genuine Self
III "A Greeting of the Spirit"
Chapter : harmony of Being
I "Energy" and "Essence"
II "Beauty in All Things"
Chapter 3: The mammoth Idea
I "From Feathers to Iron"
II "An Interchange of Favors"
III "Time Annihilate"
IV "The Finer Tone"
Chapter 4: the good Moment
I "There the entire Gyres Converge in One"
II "Fellowship Divine"
Chapter 5: Melancholy's Sovran Shrine
I "The seashores of Memory"
II the 2 Hyperions
Conclusion: Adam's Dream
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Additional info for Adam's Dream: Mythic Consciousness in Keats and Yeats
It seem s to m e that there isn’t on e; th at there c a n n o t and m ust n ot be o n e— or b etter on e co u ld say th at it is com prised in the M ass. , to the soul; an admirable mechanism is employed here— it is a palliative [quiétif], n ot a motive for dram a. P rotestan tism , on th e contrary, leads the soul a lo n g certain fortuitous p ath s that m ay en d in the way I h ave described. . "12 U p to this poin t, everythin g seem s to in d icate the ch o ice in favor o f a spiritual atm osph ere where dram a is p ossi ble, a p ositiv e value th at G id e vain ly seeks in C a th o lic spirituality.
The Correspondence Between Paul Claudel and André Gide, letter dated 08/07/03 (38/4). 34 S U C H A D EA THL Y D E S I R E cy clo n e ," a bein g in w hom the v io len ce o f p ath o s carries an d d irects the in telligen ce, w hile in G id e p recisely th e o p p o site is the case, o r so he believes. T o su ch an e x te n t th at w hen C la u d e l claim s to distin guish art and evan gelism , G id e will grasp n o th in g less than the m agn ificen t su cccss o f an u n co n sciou s d e ce p tio n .
Vi. , letter d ated 12/05/05 (4 5 -4 6 /1 0 ). vii. , letter d ated 03/03/08 (7 1 -7 3 /3 3 ). viii. , letter dated 07/08/09 (9 4 - 9 7 /5 0 -5 1 ). [G. K. C hesterton (1 8 7 4 -1 9 3 6 ) was a well-known and prolific English writer who co n verted to C ath olicism in 1922. Orthodoxy: The Romance o f Faith was published in 1908 as a com pan ion to Heretics (1 905). In Heretics, C h esterton critiqued a num ber o f “h eretical” thinkers and writers o f the time, such as Kipling, Shaw , and W ells.
Adam's Dream: Mythic Consciousness in Keats and Yeats by James Land Jones