Get After Effects Apprentice: Real-World Skills for the Aspiring PDF

By Chris Meyer, Trish Meyer

ISBN-10: 1315629542

ISBN-13: 9781315629544

No matter if you’re new to After results and wish to wake up to hurry fast, or already a consumer who must get to grips with the recent beneficial properties, After results Apprentice was once created for you. With 12 center classes together with a trio of initiatives combining After results with CINEMA 4D Lite, you’ll the best way to faucet this program’s mammoth strength – no matter if you create movement pictures for community tv, company communications, or your individual projects.

Fully up-to-date to hide the main new positive aspects extra in After results CC, this version of the ebook provides a qualified point of view at the most crucial contains a movement portraits artist must grasp which will use After results successfully. You’ll learn how to creatively mix layers; animate attention-grabbing titles; control 3D area; colour key, music or rotoscope current pictures so as to add new parts; and use results to generate pleasure or improve the realism of a scene. effortless to keep on with, step by step directions consultant you thru the positive factors, with reasons of the "why" rather than simply the "how" in the back of every one method. You’ll research greater than simply the instruments; you’ll study abilities so you might instantly placed to paintings expressing your personal principles on your productions.

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Extra resources for After Effects Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist (4th Edition)

Sample text

Move the current time indicator to around 1:10, where the bumblebee is halfway along its path. If you look closely, you should see two small squares along the straight motion path line, close to each keyframe icon. Motion path keyframes default to an interpolation type known as Auto Bezier, which automatically tries to smooth the path. These squares are the interpolation handles for those keyframes; note that the lines connecting the handle to the keyframe are not visible until you move the handle.

You’ll want the bumblebee in front of all the layers, so also drag it to the top of the layer stack (so it’s layer 1) and let’s add some animation. mov. You’ll animate the bumblebee’s position (moving it from left to right), as well as reduce its size as it flies along its path. You’ll also set an option so it automatically rotates along its path, then rotate it some more after it lands on the daisy. ) Let’s start by animating Position: 28 Right now, the bumblebee image is dominating the center of your comp.

Try it! Note that no matter where the current time indicator was parked, the new layer starts at time 00:00. tif layer selected, press D to undo this addition, and try another method. tif to the right side of the Timeline panel (below the time ruler). You should see a second blue time indicator head appear. This indicates where it would start in time if you were to release your mouse now, and provides an interactive way to decide your initial starting time. You can also move the layer up and down in the layer stack with this method.

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After Effects Apprentice: Real-World Skills for the Aspiring Motion Graphics Artist (4th Edition) by Chris Meyer, Trish Meyer

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